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Four nameless bass chalumeaux or clarinets curiously dating from the eighteenth century and having from one to six keys also seem like among the many earliest examples, and one in certain has been advised to this point from before 1750. However, the authenticity of at least one of those devices has been puzzled. Additional designs were developed by many other makers, including Dumas of Sommières who called his tool a "Basse guerrière" in 1807; Nicola Papalini, c. 1810 an odd design, in the sort of a serpentine series of curves, carved out of wood; George Catlin of Hartford, Connecticut "clarion" c. 1810; Sautermeister of Lyons "Basse orgue" in 1812; Gottlieb Streitwolf in 1828; and Catterino Catterini "glicibarifono" in the 1830s. These last four, and a few others of an analogous period, had bassoon like folded shapes, and most had prolonged ranges. A directly bodied instrument without prolonged range was produced in 1832 by Isaac Dacosta and Auguste Buffet. Music is occasionally encountered written for the bass clarinet in A, e. g. in Wagner operas, and Mahler or Rachmaninov symphonies; this music also tends to be written in bass clef although not constantly e. g.