g. , 1st stream Brahms' 3rd symphony. With the decline of the massive bands' recognition in the late 1940s, the clarinet faded from its trendy position in jazz. By that time, an interest in Dixieland or classic New Orleans jazz had revived; Pete Fountain was one of the best known performers during this genre. Bob Wilber, active because the 1950s, is a more eclectic jazz clarinetist, playing in a number of classic jazz styles. During the 1950s and 1960s, Britain underwent a surge in the approval for what was termed 'Trad jazz'. In 1956 the British clarinetist Acker Bilk situated his own ensemble. Several singles recorded by Bilk reached the British pop charts, including the ballad "Stranger on the Shore". The clarinet's place in the jazz ensemble was usurped by the saxophone, which projects a more effectual sound and uses a simpler fingering system. The requirement for an greater speed of execution in modern jazz also didn't favour the clarinet, but the clarinet did not completely disappear. A few players reminiscent of Buddy DeFranco, Tony Scott, and Jimmy Giuffre emerged in the course of the 1950s gambling bebop or other styles.