The trumpet parts that required this distinctiveness were known by the term clarino and this in turn came to apply to the musicians themselves. It is probable that the term clarinet may stem from the diminutive edition of the 'clarion' or 'clarino' and it's been advised that clarino players could have helped themselves out by gambling especially challenging passages on these newly
developed "mock trumpets". However, the clarinet in A, just a semitone lower, is frequently used in orchestral music. The clarinet has proved to be a really flexible tool, similarly at home in the classical repertoire as in concert bands, army bands, marching bands, klezmer, and jazz. It would seem although that its real roots are to be found among probably the most quite a lot of names for trumpets used around the Renaissance and Baroque eras. Clarion, clarin and the Italian clarino are all derived from the medieval term claro which stated an early sort of trumpet. This is probably the origin of the Italian clarinetto, itself a diminutive of clarino, and as a result of the European equivalents such as clarinette in French or the German Klarinette. According to Johann Gottfried Walther, writing in 1732, the explanation for the name is that "it sounded from remote not unlike a trumpet". The English form clarinet is located as early as 1733, and the now archaic
clarionet appears from 1784 until the early years of the 20th century. The cylindrical bore is primarily responsible for the clarinet's distinctive timbre, which varies between its three main registers, known as the chalumeau, clarion, and altissimo. The tone quality can vary significantly with the clarinetist, music, instrument, mouthpiece, and reed.