If your device has a very dry bore, it is a good idea to oil it. Do this only during cold months when your heating system dries the air or if you live in a very dry local weather. To oil the bore, place a few drops of bore oil on an old swab and pull the swab during the tool. The vital thing is if you do it once, you must then do it frequently — once every two weeks or so in the course of the winter months in cold climates, or more often in very dry climates. Do not use anything other than the bore oil you discover in music stores, which is formulated from light mineral oils that won't turn rancid. Oiling the bore won't affect your clarinet’s tone or reaction. Finally, make certain that your scholars never do any of right here to abuse their clarinets: stand it on the ground by the bell unless, of course, they have a clarinet peg; lay it on a music stand; leave it on an unstable chair or lay it on the floor; carry it through the halls without regard to overlaying the mouthpiece from hitting the walls or their friends; leave the mouthpiece cap off while ready in line to take an all state audition; leave it unattended — in or out of the case. Teach every scholar to care for and offer protection to his or her clarinet. It is an device, not a toy, and deserves good cure and respect. If students accept as true with they're in possession of a precious object, they are going to learn to value it, and they're going to value the work they do with it all of the more. What could have stimulated Mozart into completing the abandoned basset horn concerto for Stadler and his basset clarinet, was his adventure to Prague for the top of the line of La Clemenza di Tito.