A little later, Eric Dolphy on bass clarinet, Perry Robinson, John Carter, Theo Jörgensmann, and others used the clarinet in free jazz. The French composer and clarinetist Jean Christian Michel initiated a jazz classical cross over on the clarinet with the drummer Kenny Clarke. Even though it has been followed currently in Albanian folklore across the 18th century, the clarinet, or gërneta as it is called, is among the most important gadgets in Albania, especially in the principal and southern areas. The clarinet plays a vital role in saze folk ensembles that carry out in weddings and other celebrations. It is worth mentioning that the kaba an instrumental Albanian Isopolyphony blanketed in UNESCO's intangible cultural background list is characteristic of those ensembles. Prominent Albanian clarinet players come with Selim Leskoviku, Gaqo Lena, Remzi Lela Çobani, Laver Bariu Ustai, and Nevruz Nure Lulushi i Korçës. The reed on a clarinet is responsible for the construction of sound on the tool. These reeds are most commonly made with giant cane, though artificial and synthetically coated adaptations also are in wide use. Reeds range in hardness on a scale from 1 to 5, with the higher numbers indicating harder reeds. Harder reeds produce a stronger high-quality sound, but require more manage and journey as a performer to use successfully. Beginner students customarily use softer reeds to be told the instrument as they are easier to create a valid on.