Concerto A major KV 622  Mozart  study score clarinet and orchestra 979020020679


Concerto A major KV 622 Mozart study score clarinet and orchestra 979020020679

£11.75

Clarinet Concerto In A K.622 MOZART-Clarinet in A Not Bb and Piano Accompaniment


Clarinet Concerto In A K.622 MOZART-Clarinet in A Not Bb and Piano Accompaniment

£6.00

Mozart Concerto in G major for Flute and Orchestra (1801) after the Clarinet...


Mozart Concerto in G major for Flute and Orchestra (1801) after the Clarinet...

$12.00

W. A. Mozart, Concerto for Clarinet and Orchestra K.V.622


W. A. Mozart, Concerto for Clarinet and Orchestra K.V.622

£2.00

Concerto for Clarinet and Orchestra A major KV 622 MOZART Orchestra Score Only


Concerto for Clarinet and Orchestra A major KV 622 MOZART Orchestra Score Only

£43.00

Concerto For Clarinet and Piano Volume 1792 Mozart K.622


Concerto For Clarinet and Piano Volume 1792 Mozart K.622

$8.99



With the decline of the large bands' recognition in the late 1940s, the clarinet faded from its widespread place in jazz. By that time, an interest in Dixieland or classic New Orleans jazz had revived; Pete Fountain was among the best known performers in this genre. Bob Wilber, active because the 1950s, is a more eclectic jazz clarinetist, playing in a number of basic jazz styles. During the 1950s and 1960s, Britain underwent a surge in the acclaim for what was termed 'Trad jazz'. In 1956 the British clarinetist Acker Bilk headquartered his own ensemble. Several singles recorded by Bilk reached the British pop charts, adding the ballad "Stranger on the Shore". The clarinet's place in the jazz ensemble was usurped by the saxophone, which initiatives a more successful sound and uses a simpler fingering system. The requirement for an greater speed of execution in modern jazz also did not favour the clarinet, however the clarinet did not totally disappear. A few players similar to Buddy DeFranco, Tony Scott, and Jimmy Giuffre emerged in the course of the 1950s playing bebop or other styles. A little later, Eric Dolphy on bass clarinet, Perry Robinson, John Carter, Theo Jörgensmann, and others used the clarinet in free jazz. The French composer and clarinetist Jean Christian Michel initiated a jazz classical cross over on the clarinet with the drummer Kenny Clarke.

Concerto For Clarinet and Piano Volume 1792 Mozart K.622 W. A. Mozart, Concerto for Clarinet and Orchestra K.V.622 Clarinet Concerto In A K.622 MOZART-Clarinet in A Not Bb and Piano Accompaniment Concerto for Clarinet and Orchestra A major KV 622 MOZART Orchestra Score Only Mozart Concerto in G major for Flute and Orchestra (1801) after the Clarinet... Concerto A major KV 622 Mozart study score clarinet and orchestra 979020020679