The first jazz album on which the leader solely played bass clarinet was Great Ideas of Western Mann 1957 by Herbie Mann, better known as a flautist. However, avant garde musician Eric Dolphy 1928–1964 was the 1st major jazz soloist on the device, and based much of the vocabulary and technique utilized by later performers. He used all of the range of the tool in his solos. Bennie Maupin emerged in the late 1960s as a primary player of the device, gambling on Miles Davis's seminal record Bitches Brew in addition to a couple of statistics with Herbie Hancock's Mwandishi group. His style resembles Dolphy's in its use of advanced harmonies. While the bass clarinet has been used often since Dolphy, it is customarily used by a saxophonist or clarinetist as a second or third tool; such musicians come with David Murray, Marcus Miller, John Surman, John Gilmore, Bob Mintzer, John Coltrane to whom Dolphy's mother left a few of Dolphy's instruments including his bass clarinet, Brian Landrus, James Carter, Steve Buckley, Andy Biskin, Don Byron, Julian Siegel, Gunter Hampel, Michel Portal, and Chris Potter. Very few performers have used the tool completely, but such performers include Berlin based bass clarinetist Rudi Mahall, and French bass clarinetists Louis Sclavis and Denis Colin. Klezmer clarinetist Giora Feidman is known for idiosyncratic use of the bass clarinet on some klezmer and jazz tunes. There are a number of gadgets that can arguably be considered the first bass clarinet. Probably the earliest is a dulcian shaped device in the Museum Carolino Augusteum in Salzburg. It is incomplete, missing a crook or mouthpiece, and appears up to now from the first half of the eighteenth century.