Clarinet Virtuosi of the past Educational Tool English Clarinet MUSIC BOOK


Clarinet Virtuosi of the past Educational Tool English Clarinet MUSIC BOOK

£32.95



Resonite is Selmer's trademark name for its variety of plastic. Metal soprano clarinets were common in the early 20th century until plastic gadgets supplanted them; metal construction is still used for the bodies of a few contra alto and contrabass clarinets and the necks and bells of nearly all alto and bigger clarinets. Ivory was used for a few 18th century clarinets, but it tends to crack and doesn't keep its shape well. Buffet Crampon's Greenline clarinets are made from a composite of grenadilla wood powder and carbon fiber. Such clarinets are less littered with humidity and temperature adjustments than wooden gadgets but are heavier. Hard rubber, comparable to ebonite, has been used for clarinets because the 1860s, although few modern clarinets are made of it. Clarinet designers Alastair Hanson and Tom Ridenour are strong advocates of hard rubber. Hanson Clarinets of England manufactures clarinets using a grenadilla compound reinforced with ebonite, known as 'BTR' bithermal bolstered grenadilla. This fabric also is not suffering from humidity, and the load is the same as that of a wooden clarinet. The reed is on the bottom of the mouthpiece, urgent against the player's lower lip, while the top teeth always touch the end of the mouthpiece some avid gamers roll the higher lip under the top teeth to form what is called a 'double lip' embouchure. Adjustments in the strength and shape of the embouchure change the tone and intonation tuning.