Several singles recorded by Bilk reached the British pop charts, including the ballad "Stranger on the Shore". The clarinet's place in the jazz ensemble was usurped by the saxophone, which initiatives a more efficient sound and uses a less complicated fingering system. The requirement for an increased speed of execution in modern jazz also didn't favour the clarinet, but the clarinet did not absolutely disappear. A few players equivalent to Buddy DeFranco, Tony Scott, and Jimmy Giuffre emerged during the 1950s playing bebop or other styles. A little later, Eric Dolphy on bass clarinet, Perry Robinson, John Carter, Theo Jörgensmann, and others used the clarinet in free jazz. The French composer and clarinetist Jean Christian Michel initiated a jazz classical cross over on the clarinet with the drummer Kenny Clarke. Even though it has been adopted lately in Albanian folklore across the 18th century, the clarinet, or gërneta as it is termed, is among the most important contraptions in Albania, particularly in the vital and southern areas. The clarinet plays a crucial role in saze folk ensembles that carry out in weddings and other celebrations. It is worth citing that the kaba an instrumental Albanian Isopolyphony covered in UNESCO's intangible cultural historical past list is attribute of those ensembles. Prominent Albanian clarinet avid gamers come with Selim Leskoviku, Gaqo Lena, Remzi Lela Çobani, Laver Bariu Ustai, and Nevruz Nure Lulushi i Korçës. The reed on a clarinet is responsible for the creation of sound on the tool.