While the similarity in sound between the earliest clarinets and the trumpet may hold a clue to its name, other elements may have been concerned. During the Late Baroque era, composers equivalent to Bach and Handel were making new demands on the skills of their trumpeters, who were often required to play difficult melodic passages in the high, or as it came to be called, clarion sign up. Since the trumpets of this time had no valves or pistons, melodic passages would often require the use of the highest a part of the trumpet's range, where the harmonics were close enough together to provide scales of adjoining notes as adverse to the gapped scales or arpeggios of the lower sign in. The trumpet parts that required this specialty were known by the term clarino and this in turn came to use to the musicians themselves. It is probable that the term clarinet may stem from the diminutive version of the 'clarion' or 'clarino' and it's been suggested that clarino avid gamers could have helped themselves out by playing especially difficult passages on these newly developed "mock trumpets". However, the clarinet in A, just a semitone lower, is commonly utilized in orchestral music. The clarinet has proved to be an exceptionally bendy tool, similarly at home in the classical repertoire as in concert bands, military bands, marching bands, klezmer, and jazz. It would appear however that its real roots are to be found among one of the most a whole lot of names for trumpets used around the Renaissance and Baroque eras. Clarion, clarin and the Italian clarino are all derived from the medieval term claro which referred to an early sort of trumpet. This is doubtless the origin of the Italian clarinetto, itself a diminutive of clarino, and as a result of the European equivalents such as clarinette in French or the German Klarinette. According to Johann Gottfried Walther, writing in 1732, the reason for the name is that "it sounded from remote not unlike a trumpet".