Bob Wilber, active because the 1950s, is a more eclectic jazz clarinetist, playing in a number of classic jazz styles. During the 1950s and 1960s, Britain underwent a surge in the approval for what was termed 'Trad jazz'. In 1956 the British clarinetist Acker Bilk headquartered his own ensemble. Several singles recorded by Bilk reached the British pop charts, adding the ballad "Stranger on the Shore". The clarinet's place in the jazz ensemble was usurped by the saxophone, which tasks a more valuable sound and uses a less complicated fingering system. The requirement for an increased speed of execution in modern jazz also did not favour the clarinet, but the clarinet did not entirely disappear. A few players comparable to Buddy DeFranco, Tony Scott, and Jimmy Giuffre emerged during the 1950s gambling bebop or other styles. A little later, Eric Dolphy on bass clarinet, Perry Robinson, John Carter, Theo Jörgensmann, and others used the clarinet in free jazz. The French composer and clarinetist Jean Christian Michel initiated a jazz classical cross over on the clarinet with the drummer Kenny Clarke. Even though it's been followed recently in Albanian folklore around the 18th century, the clarinet, or gërneta as it is called, is among the most essential gadgets in Albania, particularly in the valuable and southern areas. The clarinet plays a crucial role in saze folk ensembles that perform in weddings and other celebrations.