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Since the trumpets of this time had no valves or pistons, melodic passages would often require the use of the maximum part of the trumpet's range, where the harmonics were close enough in mixture to provide scales of adjacent notes as opposed to the gapped scales or arpeggios of the lower check in. The trumpet parts that required this strong point were known by the term clarino and this in turn came to use to the musicians themselves. It is likely that the term clarinet may stem from the diminutive model of the 'clarion' or 'clarino' and it has been recommended that clarino players may have helped themselves out by gambling especially difficult passages on these newly built "mock trumpets". However, the clarinet in A, just a semitone lower, is often applied in orchestral music. The clarinet has proved to be an incredibly bendy device, similarly at home in the classical repertoire as in live functionality bands, army bands, marching bands, klezmer, and jazz. It would appear though that its real roots are to be found among one of the most a complete lot of names for trumpets used across the Renaissance and Baroque eras.


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