The clarinet is therefore said to overblow at the 12th and, when moving to the altissimo register, 17th. By analysis, nearly all other woodwind devices overblow at the octave or like the ocarina and tonette do not overblow at all. This overblowing conduct explains the clarinet's great range and complex fingering system. The fifth and 7th harmonics are also obtainable, sounding an additional sixth and fourth a flat, dwindled fifth higher respectively; these are the notes of the altissimo check in. This could also be why the internal "waist" measurement is so important to those harmonic frequencies. Clarinet
bodies were crafted from a variety of materials adding wood, plastic, hard rubber, metal, resin, and ivory. The vast majority of clarinets utilized by specialists are made from African hardwood, mpingo African Blackwood or grenadilla, rarely because of diminishing
gives Honduran rosewood and occasionally even cocobolo. Historically other woods, chiefly boxwood, were used. Most most economical clarinets are made from plastic resin, corresponding to ABS. Resonite is Selmer's trademark name for its kind of plastic. Metal soprano clarinets were usual in the early 20th century until plastic devices supplanted them; metal advancement is still used for the bodies of some contra alto and contrabass clarinets and the necks and bells of nearly all alto and larger clarinets.