Each sensor will allow the pitch to travel its entire range, from high to so low that only clicking pulses are audible. In use, the player commonly modulates the light falling upon the 'sweep' sensor with the left hand, and the 'step' sensor with the right. What this does, in effect, is to rather surprisingly replicate the manner of gambling a keyboard. left hand on the pitch bend wheel and right hand on the keys. "Today's Photon Clarinet contains, along with a line output and the 2 sensors fastened in loads of bases, LED's for both power and envelope, afocus switch which compresses and filter sweeps the signal creating a second voice, an initialize handle which steps through a sequence of pitches and establishes the free note that the unmodulated tool will return to, plus an internal monitor speaker with cut out switch. "Many various consequences can be achieved by gambling the device as described before. In addition to only riffing with the proper hand and modulating with left, careful events over the step cell will cause filter and loudness shifts over the shadow span of a single note, before the sunshine threshold essential to alter to a better note is reached. This allows the correct quit the step cell to urge tremolo volume fluctuation as the left quit the sweep cell controls vibrato pitch fluctuation. "While the stepped notes of the Photon Clarinet scales don't follow periods we are widely wide-spread with, a practiced musician can bend the pitches thereby persuading enough conformity from the device to allow accompaniment of classic musics. Personally, I see no more reason to demand this of an device than I would a songbird. The abstract calls of nature, ignorant of the logic of musical semantics, are emotionally helpful, descriptive sound forms, and I feel that even contraptions entirely limited to such voices stand upon equal ground with anything else.

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