Another option is to hire a high quality used band device until you could purchase one your self. While the similarity in sound between the earliest clarinets and the trumpet may hold a clue to its name, other factors may have been involved. During the Late Baroque era, composers corresponding to Bach and Handel were making new demands on the skills of their trumpeters, who were often required to play difficult melodic passages in the high, or as it came to be called, clarion register. Since the trumpets of this time had no valves or pistons, melodic passages would often require the use of the highest part of the trumpet's range, where the harmonics were close enough in combination to provide scales of adjacent notes as antagonistic to the gapped scales or arpeggios of the lower sign in. The trumpet parts that required this distinctiveness were known by the term clarino and this in turn came to use to the musicians themselves. It is possibly that the term clarinet may stem from the diminutive version of the 'clarion' or 'clarino' and it has been advised that clarino players could have helped themselves out by playing particularly difficult passages on these newly built "mock trumpets". However, the clarinet in A, just a semitone lower, is commonly utilized in orchestral music. The clarinet has proved to be a really flexible tool, similarly at home in the classical repertoire as in live performance bands, military bands, marching bands, klezmer, and jazz. It would seem although that its real roots are to be found among one of the crucial a variety of names for trumpets used around the Renaissance and Baroque eras. Clarion, clarin and the Italian clarino are all derived from the medieval term claro which stated an early type of trumpet. This is likely the origin of the Italian clarinetto, itself a diminutive of clarino, and as a result of the European equivalents equivalent to clarinette in French or the German Klarinette.