The second remaining theme is much more subtle
until the fanfare of its final 2 bars. As the soloist enters, the clarinet repeats the opening theme with the expected added ornamentation. As the orchestra restates the main theme, the clarinet traverses the entire range of the tool with a couple of prospers. The secondary theme begins in the parallel minor, and at last tonicizes C Major before arriving in E Major, the dominant. At the top of the E Major phase there's a brief pause, where the soloist conventionally improvises
a short eingang cadenza, though no context is on the market for a true cadenza. It is uncommon advantage how old music instrumental music really is.