Some designs often is the Selmer Signet line, the Leblanc Noblet or the Normandy clarinets.
Bartok, Bela - Contrasts Sz 116 for Violin, Clarient and Piano (Corrected
First Concerto in F Minor for B Flat Clarinet Op 73 Sheet Music Ed. W. 1708
The Ultimate Fake Book 4th B Flat Sheet Music Bb Trumpet Clarinet 1200 Songs
For example, an eighteenth century clarinet in C can be played in F, C, and G and their relative minors with good intonation, but with innovative challenge and poorer intonation as the important thing moved far from this range. In difference, for octave overblowing devices, an tool in C with few keys could a load more simply be played in any key. Difficult key signatures and a large number of accidentals were thus greatly averted. The lower pitched clarinets sound "mellower" less bright, and the C clarinet—being the highest and therefore brightest of the three—fell out of favour as any other two could cover its range and their sound was considered better. While the clarinet in C started to fall out of common use around 1850, some composers persevered to install writing C parts after this date, e. g. , first sentence in Spanish, second in English, third in French, etc. this a bit best describes transposition is in music. There are three kinds of clarinets: B flat, A, and C. If the symphony is say as an example in C major, probability is the selected clarinets for the piece may be in B flat, as a result of, the clarinet’s part could be then written in D major, it is a relatively simple key with only 2 sharps. However, say the symphony is in A major, the specific clarinets would completely be in A, as a result of, the clarinet’s part may be then written in C major simple key no sharps or flats.
Bartok, Bela - Contrasts Sz 116 for Violin, Clarient and Piano (CorrectedFirst Concerto in F Minor for B Flat Clarinet Op 73 Sheet Music Ed. W. 1708The Ultimate Fake Book 4th B Flat Sheet Music Bb Trumpet Clarinet 1200 Songs